Saturday March 31
Digital Darkroom

Admission: Free

"Digital Darkroom" features the work of 17 artists from around the world that explore the intersection of art and technology. The exhibit features the work of: Josef Astor, Pierre Beteille, Joel Grimes, Ted Grudowski, Claudia Kunin, Chris Levine, Bonny Pierce Lhotka, Khuong Nguyen, Mike Pucher, Jean-François Rauzier, Martine Roch, Christopher Schneberger, Brooke Shaden, Stanley Smith, Maggie Taylor, Jerry Uelsmann and Jean-Marie Vives.

Saturday March 31
In Focus: Los Angeles, 1945–1980

Admission: Free Admission, Parking $15

This exhibition features photographs—made between 1945 and 1980—from the Museum's collection that represent diverse responses to the city of Los Angeles as a subject and to photography as a medium for documentary and creative expression. It is loosely grouped around the themes of experimental photography, vernacular architecture, car culture, and fantasy and the film industry.

Saturday March 31
Michael Krebs

Admission: Free

In our western world a war is going on. A war of trademarks, brands and conglomerates--in other words a war of consumerism. The victims of that war are the consumers. Artificial consumer needs are created to form constantly buying "Consumers." The Consumer falls into a dependency with his income to buy things he really doesn't need. It is hard to ignore and resist the psychological manipulation. In a neo-liberalistic elbow society everybody is in competition with each other. Life is a walk on a thin red line between "Lifestyle" and success orientation. I used photographic war icons to visualize these circumstances of the modern western consumer Lifestyle. By not showing but only referring to iconic images one becomes aware of how powerful pictures are that already "made history" and have become part of our visual culture.

Saturday March 31
Gil Kofman: Passages: Case Studies in Euclidean Seduction

Admission: Free

Gil Kofman discovered the hallways in this exhibit quite by chance. He was simply trying to get from one place to the next, and these so-called passages comprised part of the material space he was forced to physically traverse and mentally discard. One day, however, racing through these buildings, en route to photograph some other subject, something else happened, something unexpected and overwhelming that entirely transformed the topology of this terrain and all his a priori expectations.

Saturday March 31
Basic Photography 1: The Fundamentals (Julia Dean Photo Workshop)

Admission: $445 (mention MOPLA during registration for 10% discount)

In this six-week workshop, students will learn all the controls and functions on the camera, basic camera operation (including f-stop, shutter speed and ISO), and how to control the photograph’s final look. Discussions include composition and light, how to get the background in or out of focus, how to stop or blur motion, why to use one ISO over another, when to use a tripod, and how to use the camera’s light meter to provide the best exposure. Other topics covered include using the appropriate lens for a desired effect and the differences between wide-angle, normal, telephoto, zoom, macro and tilt-shift lenses.

Saturday March 31
Basic Photography 2: Diving into Digital with Mark Berndt (Julia Dean Photo Workshop)

Admission: $595 (mention MOPLA during registration for 10% discount)

This eight-session class empowers photographers with the ability to make a perfect exposure every time they shoot, and become proficient at (and actually enjoy!) processing those sometimes intimidating RAW files. Learning photography's basics by working in manual mode, students master camera settings and the art of metering and white balance selection for proper image capture, learn a proven method for file organization, backup and image selection, and become skilled in creatively and technically interpreting their camera's potential-rich RAW files. The goal is for students to use their digital camera with predictable and repeatable results, and to begin to communicate with their photography instead of just taking snapshots.

Saturday March 31
Photoshop 1: Beginning Users with Joanne A. Calitri (Julia Dean Photo Workshop)

Admission: $445 (mention MOPLA during registration for 10% discount)

This class presents a solid foundation in the basic tools and techniques for workflow, editing and creating visually attractive images. Students will develop their abilities to master the fundamentals of digital imaging using Adobe’s industry standard software, while having fun in the process. Learning the core tools empowers the image-maker with endless creative outcomes and will actually make one a better photographer. Hands-on training reinforces concepts presented through lecture and demonstration.

Tuesday April 03
Portraits of Renown: Photography and the Cult of Celebrity

Admission: Free, Parking $15

Photography's remarkable propensity to shape visual identities has made it the leading vehicle for representing the famous. Soon after photography was invented in the 1830s, it was used to capture the likenesses and accomplishments of great men and women, gradually supplanting other forms of commemoration. In the twentieth century, the proliferation of photography and the transformative power of fame have helped to accelerate the desire for photographs of celebrities in magazines, newspapers, advertisements, and on the Internet. Drawn from the J. Paul Getty Museum's collection, the exhibition surveys some of the visual strategies used by photographers to picture the famous from the 1840s to the year 2000.

Tuesday April 03
Herb Ritts: L.A. Style

Admission: Free, Parking $15

Herb Ritts (American, 1952–2002) was a Los Angeles-based photographer who established an international reputation for his distinctive photographs of fashion models, nudes, and celebrities. From the late 1970s until his untimely death from AIDS in 2002, Ritts's ability to create photographs that successfully bridged the gap between art and commerce was not only a testament to the power of his imagination and technical skill but also marked the synergy between art, popular culture, and business that followed in the wake of the Pop Art movement of the 1960s and 1970s. This exhibition features a selection of Ritts's vintage prints, magazine covers, Polaroids, and commercial video projects.

Saturday April 07
Alex Prager

Admission: Free

Exhibit: April 07, 2012 - May 12, 2012.

Monday April 09 , 1:00pm - 4:30pm
Introduction to Studio Lighting with Craig Mohr (Julia Dean Photo Workshop)

Admission: $445 + $125 model and equipment fee (mention MOPLA during registration for 10% discount)

Mastering the tools of lighting is the key to mastering studio photography. In this workshop, students will gain a solid foundation of studio lighting and practical knowledge of light. Working hands-on with the equipment, participants will learn how to select the proper light source for their subjects whether shooting portraits, still life or product.

Monday April 09
More Dreamers of the Golden Dream

Admission: Free

More Dreamers of the Golden Dream will premiere a new, collaborative project of photographer Doug McColloh and writer Susan Straight, exploring the unique history, landscape, and culture of the Inland Empire.

Wednesday April 11 , 7:00pm-10:00pm
The Next Step 1 with Aline Smithson (Julia Dean Photo Workshop)

Admission: $545 (mention MOPLA during registration for 10% discount)

This six-week class instructs the emerging photographer on how to present work to the fine art and documentary markets. It also provides an insight into the world of photography and helps photographers package themselves and their work in a professional manner. Throughout the course new work will be encouraged and portfolios will be shaped and edited. Participants will learn how to build and write a resume, how to construct a bio, and how to title and write personal statements about their work. Students will enter photography competitions, submit to publications and prepare work for exhibition. Information about grants, portfolio reviews and exhibition proposals are also covered. Each week, the work of a new and established fine art photographer is studied so that participants will understand what makes a successful series. Furthermore, guest photographers will be invited to share their journeys.

Saturday April 14 , 10:00am - 6:00pm
Crash Flash 1: On-Camera Flash with Julia Dean

Admission: $275 (mention MOPLA during registration for 10% discount)

In this workshop students will learn how to use a flash unit in various lighting situations. First, we will go over all the buttons and dials on the flash. The day is then divided between lectures and demonstrations on different ways to use a flash. Shooting time follows each demonstration so students can put the information to use. The lecture begins with discussions on why and how to use a flash as the main source of light (meaning a low-light situation requiring use of a flash) and how to use a flash as a fill light (balancing ambient light with the light of a flash unit). We will also explore how to determine exposure, how to control the light output of a flash, ways to diffuse a flash, and how and why to include or exclude ambient light. Demonstrations will include using a flash in a direct or bounce mode.

Monday April 16 , 7:00pm-10:00pm
Lightroom - Level 1: Beginning Users with Michael Pliskin (Julia Dean Photo Workshop)

Admission: $445 (mention MOPLA during registration for 10% discount)

Adobe Lightroom 3 is an incredible Digital Photography Workflow application that allows photographers to import and catalog images, sort and edit them, develop RAW image files to produce outstanding photographs, and then output those photos to prints, slideshows, web galleries or online social media sites – all without having to ever open Photoshop. In this six-week course we will learn all the basics of Adobe Lightroom 3.

Wednesday April 18 , 7:00pm-10:00pm
Photoshop 2: Intermediate Users with Joanne A. Calitri (Julia Dean Photo Workshop)

Admission: $315 (mention MOPLA during registration for 10% discount)

This course is designed for students that have taken Photoshop I: Beginning Users or who have a basic user interface with Adobe Photoshop, Bridge and Camera Raw. Photographers, graphic designers and any others with a creative bent will enjoy this class.

Wednesday April 18 , 7:00pm
Reception: More Dreamers of the Golden Dream

Admission: Free

More Dreamers of the Golden Dream will premiere a new, collaborative project of photographer Doug McColloh and writer Susan Straight, exploring the unique history, landscape, and culture of the Inland Empire.

Friday April 20
The Portrait and the Nude: Adventures in Location Lighting with Jock Sturges (Julia Dean Photo Workshop)

Admission: $715 + $125 model, equipment and location permit fee (mention MOPLA during registration for 10% discount)

Upon completing the workshop students can expect to have advanced their lighting and compositional technique as well as their appreciation of the dynamic relationship between model and photographer during photo shoots. Open to all levels although prior lighting experience is helpful.

Saturday April 21 , 10:00am - 3:00pm
The Art of Traditional Black & White Printing with Steve Moulton (Julia Dean Photo Workshop)

Admission: $195 (mention MOPLA during registration for 10% discount)

In this class, participants will learn how to produce beautiful black and white prints while developing their own technique and personal vision. Topics will include paper and film choices, developers and toners, enlargers, and spotting and matting prints. Students will learn which chemicals to use and how they impact choice of film, grain, contrast, tonal range and acutance vs. resolution. The importance of understanding the connection between visualization and interpretation through choosing the combination of film & developer will also be explored. Further discussions will include light and filters, such as how light imprints film, the relationship/interaction between the two, and storage and care. The course is limited to 5 participants with students having their own enlarger. Open to all experience levels. All participants will receive a 50% discount off the regular darkroom rental rate, both during and one month after completion of the class.

Saturday April 21
Creating Art with Toy Cameras with Thomas Michael Alleman (Julia Dean Photo Workshop)

Admission: $175 (mention MOPLA during registration for 10% discount)

This fun two-day class is intended for those interested in an alternative approach to traditional photography. Participants will learn the history of toy cameras, such as the Diana and the Holga, and learn why “blur” has become so popular in the fine art market. As a “point-and-shoot” type camera, the Holga’s technical capabilities are minimal, and consequently it can become the creative tool that the photographer’s camera bag has been missing! Aline Smithson will teach what film to use, how to alter the camera to get the desired result, how to change the size of the negative, and what lighting conditions give the best result. The two-day format will allow students to develop their work for a fun and informative group critique session!

Tuesday April 24 , 7:00pm-10:00pm
The Collaborative Documentary Project with Julia Dean

Admission: $445 (mention MOPLA during registration for 10% discount)

This class is about documentation and collaboration. It is about a group working together to tell a story about one topic. This topic can be as serious as homelessness or as diverse as documenting all religions in Los Angeles. The class can decide. Julia will come to the first class with three ideas. The class members are welcome to bring additional ideas. We will then discuss all topics and come to a conclusion by the end of the first class about what topic to embrace.

Friday April 27
Studio Portrait Lighting Intensive with Bobbi Lane (Julia Dean Photo Workshop)

Admission: $575 + $100 model and equipment fee (mention MOPLA during registration for 10% discount)

Join instructor Bobbi Lane as she discusses the three main elements of lighting – direction, quality, and depth - and the intricacies of how lighting patterns define the face, how light modifiers affect quality, and how to combine both techniques with lighting ratios to set the mood. Lighting has many aspects that need to be addressed individually and then combined to create a meaningful portrait. The use of strobe lights, how they work, and the step-by-step lighting set-up are the first layer in the foundation. All students will have hands-on experience working with strobe power packs, umbrellas, soft boxes and grids. Metering techniques, stands, C-stands, use of flags, diffusers and reflectors will be covered in great detail.

Saturday April 28
Steven Rubin: Vacationland

Admission: Free

Exhibit: April 28, 2012- May 26, 2012.